Sitemap - 2024 - Not to Be Dramatic
“Every Opening Has Its Closing”: Why You Need to Run to See “Teeth” Before Jan 5th
“The Hills of California” Sings in Blood Harmony
13 Shows to See On and Off Broadway This Fall
'Cats' May Still Be Nonsensical, but the 'Cats: The Jellicle Ball' Revival Just Makes Sense
‘A Midsummer Night’s Dream’ Review: A Love Letter to Shakespeare in the Park
There’s Nothing Like Summer (Theater) in the City
“Three Houses” Is Pandemic Art You’ll Want to See
Everything You Need to Know About the 2024 Tony Awards
The Who’s “Tommy” is Nostalgic, Stylized Sensory Overload
‘The Lonely Few’ Didn’t Shake Me to My Core, but It Still Rocked
Crying at 'The Notebook' (for Reasons I Did Not Expect)
"Suffs" Demands to Be Seen and Heard
‘Oh, Mary!’ Is a Perfectly Fun Night at the Theater
‘Enemy of the People’ Revival Attempts to Make an Old Play Splash
“Doubt” Is a Sickening Retelling of a Familiar Tale
“Lempicka” Paints a Colorful, Confusing Portrait
Class in Session: Learning Uncomfortable Lessons in “The Ally”
"The Connector," or, Questioning Fact, Truth, and My Ability to Write an Article on Time
“Teeth,” or the Show I Don’t Think I’ll Recommend to My Grandparents
“Prayer for a French Republic,” or a Cyclical Story of Jewish Self-Preservation
“Jonah,” or the “Slippery” Show I’m Trying To Hold On To
“Days of Wine and Roses” and “Job,” or Best Only in Moderation
"Once Upon a Mattress" and "tick, tick...BOOM!" or, the Beauty of a Two-Week Run
“Spamalot” and “Merrily We Roll Along,” Or One Revival That Should Have Stayed in the Past